{"id":20798,"date":"2026-01-29T19:29:16","date_gmt":"2026-01-29T11:29:16","guid":{"rendered":"https:\/\/waa.org.tw\/members\/hsiang-kao-lee\/"},"modified":"2026-02-02T16:13:51","modified_gmt":"2026-02-02T08:13:51","slug":"hsiang-kao-lee","status":"publish","type":"page","link":"https:\/\/waa.org.tw\/en\/members\/hsiang-kao-lee\/","title":{"rendered":"Hsiang-Kao Lee"},"content":{"rendered":"[vc_row type=&#8221;full_width_content&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; bg_color=&#8221;#b196a1&#8243; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;center&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; row_position_desktop=&#8221;default&#8221; row_position_tablet=&#8221;inherit&#8221; row_position_phone=&#8221;inherit&#8221; overflow=&#8221;visible&#8221; 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image_size=&#8221;regular_small&#8221; max_width=&#8221;100%&#8221; max_width_mobile=&#8221;default&#8221; animation_type=&#8221;entrance&#8221; animation=&#8221;None&#8221; animation_movement_type=&#8221;transform_y&#8221; hover_animation=&#8221;none&#8221; alignment=&#8221;center&#8221; border_radius=&#8221;none&#8221; box_shadow=&#8221;none&#8221; image_loading=&#8221;default&#8221;][\/vc_column_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; flex_gap_desktop=&#8221;10px&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; overflow=&#8221;visible&#8221; advanced_gradient_angle=&#8221;0&#8243; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;3\/4&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; gradient_type=&#8221;default&#8221;][vc_column_text css=&#8221;&#8221; text_direction=&#8221;default&#8221;]Born in Yunlin in 1966, Li Xiangguo graduated from the Art and Craft Department of Taichung Teachers College in 1988 and from the Graduate Institute of Fine Arts at National Taiwan Normal University in 2025. After 25 years in the education sector, she returned to painting after retirement. She has participated in art-related societies and associations and has actively participated in international exhibitions in recent years. Li Xiangguo&#8217;s distinctive style is &#8220;Drip Impression,&#8221; stemming from her observation of the fluidity of color. Using the natural flow of paint as her core vocabulary, she creates unpredictable yet vibrant traces through the interaction of gravity, speed, and time. Her paintings are formed through dripping, flowing, and merging, replacing traditional brushstrokes and allowing the paint itself to become the narrative subject. Colors push and spread against each other, creating a dynamic image that exists between control and loss of control. In her work, Li deliberately amplifies the randomness of flow, letting the paint speak for itself, attempting to capture the sense of instantaneous change and the fluidity of emotion. She no longer emphasizes representational depiction but allows viewers to experience emotion, rhythm, and inner energy through the diffusion and flow of color. This creative approach symbolizes the natural overflow of emotions and memories, reflecting those moments in the human heart that cannot be captured by language. The traces of dripping water are like the traces of time, ultimately constructing a unique and free visual impression. Li Xiangguo has received numerous awards, including an award of excellence at the 2025 French Artists Salon Exhibition, selection for the 78th Japan Jigenkai Exhibition, and selection for the oil painting category at the 70th Central Taiwan Art Exhibition in 2022.[\/vc_column_text][vc_column_text css=&#8221;&#8221; text_direction=&#8221;default&#8221;]<strong>Awards<\/strong><\/p>\n<ul>\n<li>2025 Salon des Artists, France &#8211; Award of Excellence<\/li>\n<li>2025 78th Shigenkai Exhibition in Japan &#8211; Selected<\/li>\n<li>2022 70th Central Taiwan Art Exhibition &#8211; Oil Painting Category Selected<\/li>\n<\/ul>\n[\/vc_column_text][vc_column_text css=&#8221;&#8221; text_direction=&#8221;default&#8221;]<strong>International Exhibitions<\/strong><\/p>\n<ul>\n<li>2025 Versailles Municipal Museum of Art, France<\/li>\n<li>2025 Grand Palais, Paris &#8211; Spring Salon, France<\/li>\n<li>2025 26th NPO International Calligraphy and Painting Art Exchange Exhibition, Japan<\/li>\n<li>2025 78th Shigenkai Exhibition, Japan<\/li>\n<li>2024 Venice Biennale<\/li>\n<li>2023 Korea-China-Japan Cultural Cooperation Art Festival<\/li>\n<\/ul>\n[\/vc_column_text][vc_column_text css=&#8221;&#8221; text_direction=&#8221;default&#8221;]<strong>Domestic Exhibitions<\/strong><\/p>\n<p><strong>Solo Exhibitions<\/strong><\/p>\n<ul>\n<li>2024 Solo Exhibition, 116 Art Center, National Kaohsiung Normal University<\/li>\n<li>2020 Solo Exhibition, Twilight Cafe<\/li>\n<li>2019 Solo Exhibition, National Science and Technology Museum<\/li>\n<\/ul>\n<p><strong>Joint Exhibition<\/strong><\/p>\n<ul>\n<li>2025 Taiwan Contemporary Women&#8217;s Art Exhibition at Chiang Kai-shek Memorial Hall<\/li>\n<li>2025 Taiwan Artists&#8217; French Salon Academy TFA Touring Exhibition (Taiwan-France Splendor)<\/li>\n<li>2025 IAL International Artists Alliance &amp; Southern Taiwan Artists Invitational Exhibition<\/li>\n<li>2025 &#8220;Beautiful City Focusing on Harbor Capital&#8221; Kaohsiung Cultural Center<\/li>\n<li>2025 &#8220;The Splendor of Yi Si&#8221; Kaohsiung Cultural Center<\/li>\n<li>2024 National Kaohsiung Normal University Department of Fine Arts Alumni Association Joint Exhibition, Kaohsiung Cultural Center<\/li>\n<li>2024 National Kaohsiung Normal University 70th Anniversary Celebration Art Exhibition for Faculty, Students and Alumni<\/li>\n<li>2024 &#8220;2024 Kaohsiung&#8221; Kaohsiung Cultural Center<\/li>\n<li>2024 Hsin Wan Times Art Hall<\/li>\n<li>2024 Dali Department Store Champs-\u00c9lys\u00e9es Gallery<\/li>\n<li>2023 Kaohsiung Art Fair<\/li>\n<li>2023 &#8220;Art in the Pandemic Era: Creative Works Exhibition&#8221; Social Education Hall<\/li>\n<li>2023 &#8220;Art Creates a Covert During the Pandemic&#8221; Kaohsiung Cultural Center<\/li>\n<li>2023 Taipei Baojiatan Art Gallery Joint Exhibition<\/li>\n<li>2023 ART.together 116 Art Center Renovation Project Joint Exhibition<\/li>\n<li>2023 730D+ Artists Joint Exhibition Okayama Culture Center<\/li>\n<li>2023 National Kaohsiung Normal University Department of Fine Arts Alumni Association &#8220;Contemporary Kaohsiung-Shui Joint Exhibition&#8221;<\/li>\n<li>2023 Kaohsiung City Fine Arts Association &#8220;Spring Charity Joint Exhibition on Life During the Pandemic&#8221;<\/li>\n<li>2023 730 D+ Artists Joint Exhibition, Kaohsiung Cultural Center<\/li>\n<li>2023 Central Taiwan Art Exhibition, Taichung City Dadun Cultural Center<\/li>\n<li>2022 Kaohsiung Art Fair<\/li>\n<li>2022 National Kaohsiung Normal University Department of Fine Arts Emerging Artists Joint Exhibition \u2013 Spring Chance 7 \u201cLooking Forward\u201d, 116 Art Center, National Kaohsiung Normal University<\/li>\n<li>2022 Rippling Time \u2013 National Kaohsiung Normal University Department of Fine Arts Alumni Association Joint Exhibition<\/li>\n<\/ul>\n[\/vc_column_text][nectar_icon icon_family=&#8221;fontawesome&#8221; 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