{"id":7463,"date":"2022-07-18T14:01:47","date_gmt":"2022-07-18T06:01:47","guid":{"rendered":"https:\/\/waa.org.tw\/members\/yun-yi-lee\/"},"modified":"2026-02-02T17:41:32","modified_gmt":"2026-02-02T09:41:32","slug":"yun-yi-lee","status":"publish","type":"page","link":"https:\/\/waa.org.tw\/en\/members\/yun-yi-lee\/","title":{"rendered":"Yun-Yi Lee"},"content":{"rendered":"[vc_row type=&#8221;full_width_content&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; bg_color=&#8221;#b196a1&#8243; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;center&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; advanced_gradient_angle=&#8221;0&#8243; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; 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column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; overflow=&#8221;visible&#8221; advanced_gradient_angle=&#8221;0&#8243; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;3\/4&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; gradient_type=&#8221;default&#8221;][vc_column_text]Independent Curator, Banshee Talking Art Gallery Operator<\/p>\n<p>Her main research field is the development of Taiwanese aboriginal contemporary art. In 2001, she moved to Taitung in order to collect dissertation materials. For more than ten years, she has devoted himself to the record, observation and discussion of the development of visual art creation on the east coast of Taiwan. Through curatorial practice and the operation of independent art galleries to create exhibition platforms, art events and multiple energies continue to collide. Since 2005, the &#8220;Banshee is talking about painting gallery&#8221; has been operated. It is an east coast art and cultural space that operates in the spirit of women&#8217;s sharing, tolerance and freedom. Halfway up the mountainside of Dulan Mountain in Taitung City, the &#8220;Moonlight Inn&#8221;, which has a beautiful sea and sky scenery, is rich and diverse, and continuously presents various local and foreign art and cultural performances that communicate with the living atmosphere of the entire east coast. In the art and literature practice time and time again, the unique and ever-flowing art and literature energy on this land is accumulated.<\/p>\n<p>Important curatorial achievements in recent years: From 2017 to 2022, she was the curator of the East Coast Land Art Festival; in 2020, he and Lai Chunchun jointly curated &#8220;Boundary Dulan ~ Imagination and Practice&#8221; at the Taitung Art Museum. In 2021, the exhibition &#8220;Body is a Tribe ~ Aboriginal Contemporary Art Rooted in Flow&#8221; will be held in Luodong Cultural Workshop, Yilan. 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hover_animation=&#8221;none&#8221; alignment=&#8221;center&#8221; border_radius=&#8221;none&#8221; box_shadow=&#8221;none&#8221; image_loading=&#8221;default&#8221; max_width=&#8221;100%&#8221; max_width_mobile=&#8221;default&#8221; img_link=&#8221;https:\/\/waa.org.tw\/events\/love-and-hope\/#tam&#8221;][vc_column_text]\n<p style=\"text-align: left;\"><strong><span class=\"inner\">\u300aLove and Hope\u300b2022 World Women&#8217;s Art Festival<\/span><\/strong><br \/>\nTHE BOUNDARY NARRATIVE OF WE\/WOMEN &#8211; Continuity, Flow, Convergence<br \/>\n2022.06.25 &#8211; 09.04<br \/>\nTaitung Art Museum<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; centered_text=&#8221;true&#8221; desktop_text_alignment=&#8221;default&#8221; 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