Since 2013, the artist has primarily created works using embroidery and small soft sculptures, developing a personal style of hand-embroidering on three-dimensional cotton-stuffed fabrics. The work focuses on the softness of the fabric, accumulating images and emotional traces through meticulous stitching.
Since 2023, the form and content of the works have gradually incorporated elements of traditional Taiwanese crafts, including Minnan embroidery techniques and auspicious imagery, extending the creation from personal narratives to the level of cultural symbols. In 2025, the artist further combined this with the traditional Taiwanese craft of spring flowers, intertwining it with their signature pillow-shaped structure to establish a composite expression that transcends materials and techniques.
The overall creative thread centers on family relationships, Taiwanese cultural memories, and folk art techniques, reinterpreting the connection between tradition and contemporary art through the language of fiber and handcraft.
