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In 1999, she graduated from the National Academy of Fine Arts in Paris, France, and continued to create and exhibit at home and abroad. From the ingenious combination of oil paint and embroidery in the early stage, to the composite media oil paint with Taiwanese floral cloth as the base, or the recent natural dyed soft sculptures, woven and embroidered maps, the works are all in the world of fiber materials.

Born in Dongzhu Village, Hualien (Tourenpu, once renamed Zhutian), her grandfather was a Hakka who came here on foot in Zhudong, Hsinchu, and her mother came from Majialu, Xinxing Village. In 1862, Dazhuang (now Dongli) Siraya people used cattle and pigs In exchange for this hunting ground with the Puyuma people, Dazhuang was a settlement where the Pingpu people migrated to the east to avoid the Han people. A few years ago, the artist inquired about the household registration transcripts during the Japanese colonial period by chance, and found that the matriarchal genealogy was marked with the word “cooked”, which represented the notes of the Pingpu ethnic group and planted a seed of doubt in the artist’s heart…

Because of the blood relationship in Pingpu, the latest creations focus on Taiwan’s historical events, aboriginal culture, and ethnic integration issues. Because I love mountaineering and hiking, she have climbed many high mountains in Taiwan, and the exploration and visits of ancient trails and suburban mountains have enriched my creative experience. The subject matter and connotation combine Taiwan history, myths and legends, and migration paths of ethnic groups into tapestry paintings and map creations.

  • 1999 Paris National Higher School of Fine Arts ENSB – A French National Higher Plastic Arts Diploma DNSAP Pat Andrea Studio
  • 1998 Bordeaux Academy of Fine Arts French National Higher Diploma in Plastic and Expressive Arts DNSEP Art and Multimedia


  • 2021 Kinmen County Artist-in-Residence, Kinmen, Taiwan
  • 2020 Cultural Assets Bureau of the Ministry of Culture 1916 Cultural and Creative Workshop R12-9 Pegasus Creative
  • 2019 TIFA Working Studio, Pune, India
  • 2017 Xiaolong International Art Village, Tainan, Taiwan
  • 2005 CAMAC Art Village September-November, Marne, France (2005 Visual Art Creation Talents Abroad Residency Program of the Cultural Council)
  • 2002 The third artist-in-residence of No. 20 Warehouse, Taichung, Taiwan
  • 2000 La Source Artist Studio 5-December, Normandy, France

Excerpts from Important Solo Exhibitions

  • 2021 “Swimming Fish on Screen” Chen Jinglan Mansion, Kinmen, Taiwan
  • 2020 “India‧Impression” Tsinghua University Education Center Art and Creative Space, Hsinchu, Taiwan
  • 2019 “Xixi”, Art Center of Central University, Taoyuan, Taiwan
    “NAMASTE” Deng Wenzhen’s Indian Creation Exhibition, 107 Gallery, Taichung, Taiwan
  • 2018 “Passover-Between Virtuality and Reality”, National Cheng Kung University Art Center, Tainan, Taiwan
  • 2017 “Flying Shuttle” Xiaolong Cultural Park, Tainan, Taiwan
  • 2011 “Feast – Vanity” Geng Gallery, Taipei, Taiwan
  • 2008 “Feasting Culture II “Food‧Image‧Culture”” Silba Art Space, Taichung, Taiwan 2006
    “Festival Culture” Tsing Da Art Center, Hsinchu, Taiwan

泰雅族遷徙圖 – 死之華
Burlap bags, indigo dyeing, embroidery
161 x 131 cm x 2

台灣事件 – 壺生
Burlap bags, indigo dyeing, cross stitch, embroidery
161 x 131 cm x 2

蕭壟地圖 – 穿越西拉雅
Burlap bags, indigo dyeing, cross stitch, embroidery
161 x 131 cm x 2